THE EXQUISTE HISTORY OF ORIENTAL RUGS

THE DYING ART OF MEANING

“Rugs are written pages. In their maze of design there is a symbolical language, the key of which in its ceaseless transmission through the centuries has unhappily been all but lost.” – J.K. Mumford, Oriental Rugs, New York, 1915.

Despite the popularization of rugs in the market, there is historical amnesia about the marvelous history of these exquisite treasures. More people have a lack of understanding of oriental rugs as a work of art. Rugs are capable of representing history and bringing cultural diversity to every room. This may be due to the fact that few crafts have such a strong connection to their origins as rugmaking. The artistry of handmade rugs reflects a skill that spans for thousands of years. As far as the art of weaving rugs is concerned, the basic method has remained largely unchanged, even though new varieties of fabrics, dyes, and technologically sophisticated looms and machines have come into operation. It's been about 2,500 years before we learned that weavers have finally started to practice the art of using a loom rig to make more complex patterns. Even before that, skilled craftsmen have been creating hand-weaving techniques that are still common in most of the Eastern world today.

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“Like a Persian carpet, the weave of time pushed their lives into a pattern.”

-Meghna Pant

ANCIENT HISTORY OF RUGS

Earlier rug designs have taken place in the Middle East and the areas of Central Asia, perhaps starting out as a functional requirement of life. Hand-knotted rugs and carpets may have begun to simulate the warmth and texture of furs, helping to shield homes from the cold of winter. But as craftsmen started to emerge, patterns and weaving methods became more complex. The first surviving example of ancient weaving practice is the Pazryk carpet, which was found in Siberia and dates back to about 400 B.C. It is believed to be Persian in origin, featuring different regional designs and features with an expertise that suggests that the weaving method had been perfected through centuries of experience before then.

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The “Pazryk Carpet”

This is the earliest surviving example of ancient weaving practice dating back about 400 B.C.

Although nomadic weavers may have started art for pragmatic reasons, area rugs were usually a symbol of success, when European aristocracy began replacing straw floor coverings with imported area rugs around the 17th century. It wasn't until after World War II, when mass manufacturing of rugs came into effect, that rugs became a household staple in the Western world. Advanced power loom techniques have simulated the ancient craft, in some cases even enhancing the longevity of the rug. However, hand-woven rugs remained widely sought after home additions, in some cases appreciating value over time. And understanding the past and the artistry behind such items gives the collector a meaning that goes beyond the price tag.

PATTERNS IN RUGS

The long tradition of symbolism is visible in rugs. Many of the icons you'll find in this blog can be found in kilim patterns, Anatolian rug patterns, Caucasian rugs, Turkish rugs, Kurdish rugs and Persian rugs. This secret language is the desire of many people who long to grasp oriental rug symbols, their roots and meanings: there is still a sense of wonder and curiosity about rug imagery.


Now, let’s focus on Persian rugs. hardly anything is known about Persian carpet making before the 15th century, when the craft had already reached its height. The Mongolian conquest of the 13th century had depressed Persia 's creative existence, only slightly revived by the Renaissance under the Il-Khan dynasty of Mongolia (1256–1353). While the conquests of Timur (died 1405) were, in most ways, catastrophic for Persia, he favored the craftsmen and spared them the work of his great palaces in Samarkand. Persian rugs have intricate designs, and they contain so much imagery. People, however, have a lack of understanding of what the weavers are trying to represent. Here are common elements you will see in a Persian rug. There are many symbols such as the lotus, roses, trees, leaves, peacocks, phoenix, leopards, lions, eagles, camels, and much more!

An example of a red Kashan Persian rug

An example of a red Kashan Persian rug

Water is the most important element on this planet. It's great to see how many nomadic and ancient weavers used the flowing water icon in their rugs as an acknowledgement of the soothing and life-giving qualities of water. The symbol of water implies creation, heaven, vitality, cleanliness and the ability to conquer obstacles.

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From the base of the earth and the rising branches, the tree of life imagery is symbolic of the transfer of consciousness from the worldly to the spiritual. The tree of life icon, found throughout the world, is one of the most respected and profound symbols in oriental rugs. The tree of the emblem of creation reminds us of man's divinity, which predates both Christianity and Islam. The tree of life provides durability, immortality, happiness and hope.

The tree of life displayed in this rug

The tree of life displayed in this rug

BEAUTY IS INSPIRATIONAL

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Flooring is the foundation of any beautiful room. Start with a exquisite rug and the rest will fall into place.

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It is colored like the eternal garden and adorned like the art of Chine. If you cast a glance at this carpet all patterns becomes alive. May thou be blessed and joyful, in a life devoid of pain and sorrow.”

“Just as when we step into a mosque and its high open dome leads our minds up, up, to greater things, so a great carpet seeks to do the same under the feet. Such a carpet directs us to the magnificence of the infinite, veiled, yet never near, closer than the pulse of jugular, the sunburst that explodes at the center of a carpet signals this boundless radiance. Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool, and in this tiniest of details, there it is: a call to the best within, summoning us to the joy of union. In carpets, I now saw not just intricacies of nature and color, not just mastery of space, but a sign of the infinite design. In each pattern lay the work of a weaver of the world, complete and whole; and in each knot of daily existence lay mine.”

Anita Amirrezvani, The Blood of Flowers